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Relief Fabrics
From
May
4th 2007
to January
6th
2008
From
the quilts of our ancestors to our today's quilts and other
quilted materials passing by Amish-Quilts and contemporary
creations of Christian Dior and Yves Saint Laurent this
exhibition describes the
history
of the
quilting technique through the centuries and
of
the
different continents.
Concerning upholstery fabrics but
also fabrics for clothing,
whether for mostly elaborated fabrics or for quite modest
ones, the quilting technique has
called into existence creations whose vocations and aspects
are quite different: clothes, bed linen, accessories for suits
...The scopes of
this technique in textile creations are of an extreme variety.
The presented
documents, Quilts, Boutis, Suits or accessories from the 18th
or 20th
century, allow to return to the principles of quilting.
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Impressions and
printing from Germany
From October 24th 2006
to April
15th
2007
The
printing museum preserves fabrics of different origins.
The collection of German fabrics is as old as it is
extensive, more than 500 pieces. Even though there are
only few of the really old textile documents, those we
have are very exquisite.
From the 18th century we owe indigo reserve printings
and small very elegant samples.
Some of
those were made in the manufacture Schüle in Augsburg.
Schüle surely was one of the most famous printers of his
time. His daughter was married to Jean-Michel Hausmann.
In her dowry she brought some fabrication secrets to the
marriage.
On this
way those secrets came from Augsburg to the manufacture
in Logelbach, next to Colmar...
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Alsatian
portraits
From October 29th 2005 to
March 12th 2006
The next exhibition of the museum, got up
by Christiane Burckel, is composed of several
collections with reference to the Alsatian costume.
Connecting elements of these different collections are
paintings, engravings and photographs. Well-known art
painters of our region like Gustave Brion, Alfred
Camille Pabst, Jean Jacques Henner, Jean Benner, are
witnesses of the art of life in the Rhine country. An
art of life, which today often is represented in a
reduced way by the Alsatian knot, the stork and the
Gugelhupf.The confrontation of the different collections
of Alsatian museums with costumes like they were worn in
our Alsatian villages allows an interesting view of the
refined and elegant fashion of that time.
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From dyed wrapper to printed garment
From october 22nd 2004 to
september 30th 2005
The museum of printed textiles was created to preserve
the materials used the textile designers of Mulhouse
and the region. Throughout the XIXth and XXth
century, dyed and printed textiles from all around the
world have enriched the museum’s printed fabrics
collection, which includes large collection of African
textiles. The traditionnal African fabrics have already
been exhibited, but there has never been such a large
display of the printed textiles which will be an
entirely new discovery for visitors. This exhibition is
made up of two sections. The first one portrays an image
of Africa through the fabrics printed in the XVIIIth
and XXth centuries, the second one
takes us from the Alsatian industrial venture in Western
Africa to the real history of Africa during the XXth
century through printed wrappers.
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BRUNSCHWIG & FILS
Interpretations of European Textile Culture by a New
York Designer
Exhibition from May 6 2003 to August 15 2004
Brunschwig & Fils is a major American wholesaler of fine
decorative fabrics. Originally from Alsace, the
Brunschwig family immigrated to the United States in
1925. Their very personal style is largely due to an
in-depth knowledge of the European textile culture.
Their interpretations of antique designs and high
quality printing have, from the very beginning, seduced
even the most renowned interior designers. These
historic designs convey the image of a particular
lifestyle.
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Like A Garden
March 16th 2002 —
March 7th 2003
In
bringing together printed textile and wallpaper designs,
the Musée de l'Impression sur Etoffes (Textile Printing
Museum) and the Musée du Papier Peint (Museum of
wallpaper) invite you to discover a universe in which
the profusion and variety of botanically inspired
designs reveal the depth of mankind’s relations with the
plant world. Flowers and vegetables in all their various
forms, gardens of all descriptions and all that
surrounds them have supplied the main source of
inspiration for designers. Throughout history, nature
has been called upon to portray specific ideas. Numerous
botanical discoveries, man’s relentless quest for the
exotic and the advent of the conservatory at the
beginning of the 19th century, all
contributed to the importance of horticulture in
everyday life. The use of plants as symbols in political,
social or creative spheres has historically influenced
designers.
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Private Lives. The remarkable history of printed
textiles.
Exhibition from October 7th 2000 until September
16th 2001
As with all decorative art and design products,
textile designers have produced items of exceptional
merit. The aim of Private Lives is to present a
selection of key items, often unedited, which are
among the most remarkable of their time. From the
familiar object, full of everyday charm, to the rare
and prestigious collector's item, the history of
textiles offers us an intimate glimpse into European
customs and habits. In order to immerse ourselves
into these familiar worlds, twelve successive
scenarios re-group objects from the same universe ;
fabrics, furniture, glassware, china and wallpaper
are presented together. Throughout these interior
scenes, the printed textiles bear witness to the
intriguing political, social, aesthetic and cultural
questions of our time. Private lives and public
taste. In order to re-live two and a half centuries
of customs and habits, it's the peoples point of
view that is shown.
November 1993 - March 1999
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